BoDeans Kickoff Their Summer Tour on Fire

BoDeans at The KesslerAfter being off the road for four months and having a new slide guitarist (Ben Peeler – The Mavericks/The Wallflowers) join them onstage for only the second time, one might have expected the BoDeans to be a tad rusty as they kicked off their summer tour at The Kessler in Dallas, Texas last night…but that was far from the case. The revamped band was firing on all cylinders, as they traditionally do, treating fans to a mix of both old and recent material.

Tucked away in the South Dallas neighborhood of Oak Cliff, the intimate surroundings of The Kessler proved to be a perfect venue choice for the band.  The quaint theater was buzzing with all the excitement and energy of a sold-out arena and its acoustics allowed fans to nearly drown out the band on their classic sing along songs, “Good Things” and “Still the Night.”  Frontman Kurt Neumann couldn’t help but feed off the energy of the crowd, often smiling ear to ear and even wandering over to dance next to an extremely “spirited” fan.

In addition to the classics, the band also played several tracks off of their 2012 album, American Made, including the show opener “All The World” and “Flyaway.”  The real treat of the set though was a cover of Bruce Springsteen’s “I’m On Fire.”  Set to a war march drum beat, the band took the passion of this song to a whole new level.

Speaking of emotions, the band’s encore actually got off to a tearful start with Neumann’s touching introduction to “Stay.”  A song about his children and his desire to have them stay that “perfect” age forever and not grow up.  Why must you say goodbye/Why don’t you stay awhile/All of the time will fly/You only make me smile/Come on now/Stay  awhile.  Neumann talked about coming home from the road and having his kids line up against the wall to be measured.  ”After I’d make the pencil mark above their heads, they would get all excited and rush off to their Mom, ‘I grew! I grew!’ Meanwhile, I’m left there holding the pencil going, ‘But you promised me you wouldn’t.’”

As the band brought the night to a climactic close with crowd pleasing versions of “She’s A Runaway” and “Closer To Free,” I realized something.  Over the years, these songs stopped being just BoDeans songs and became “our” songs.  The magic, emotions and memories of the tunes have resonated within us over the years and every now and then we are fortunate to have the band bring these songs to life right in front of our eyes.  Thank you, BoDeans…for keeping your promise to ‘stay awhile.’

Were you at the show? What did you think? Share your thoughts with The Classic Rock Blog!

Instagram

 
 

The Midwest Rock-N-Roll Express Tour Steams Through North Texas

Midwest Rock-N-Roll Express Tour

It was ‘All Aboard!’ Tuesday night as the Midwest Rock-N-Roll Express Tour steamed its way through North Texas, taking concertgoers on a wild trip back in time with three of the best classic rock acts around.  

Styx, REO Speedwagon and Ted Nugent treated fans to nearly four hours of hits, jams and singalongs.  It was a classic rock power play…a rock-n-roll trifecta…and…simply put… awesome!

No playing favorites here, each act gave it their all with “headliner” quality performances, but first out of the gate was Ted Nugent who jokingly thanked Styx and REO for letting him play early so he could go fishing (being that he lives just down the road). One would assume that Nugent’s political outspokenness would have been the highlight of the evening, but not so, Uncle Ted let his music do most of the talking in a raw, energetic and impressive performance that left many in attendance wanting more.

Ted NugentNugent and his three piece band, that included Derek St. Holmes on guitar and vocals, satisfied the appetites of long-time fans with classic gems such as “Wango Tango,” “Cat Scratch Fever” and “Stranglehold.”  Despite drawing the first slot of the evening, Nugent still had time to work in a couple of tributes to The Temptations and Chuck Berry, performing wild versions of “My Girl” and “Johnny B. Good.”  It was definitely a surprising twist that stood out as one of the highlights of the entire evening. 

Sure, Nugent did bring up politics a time or two (or three, or four, or more) but one of the more whimsical moments came when  he said, “The world sucks. America sucks less. But Texas doesn’t suck at all.” Naturally, the statement was well received by the audience.

Next up was REO Speedwagon, a band that has been firing on all cylinders pretty much their entire career but REO Speedwagoneven more so in recent years.  The current lineup of Kevin Cronin (vocals), Dave Amato (guitar/vocals), Bruce Hall (bass/vocals), Neal Doughty (keyboards) and Bryan Hitt (drums) have added a powerful punch to the band’s classic hits over the years and their on-stage chemistry is hard to beat. It is always a kick to see Hall and Amato run around together and joke behind Cronin’s back.  

Earlier in the year, it was reported that the band was recording some new tunes, but this night was dedicated solely to the classics and that seemed to be just fine with the fans, as they had the tendency to drown out Cronin’s vocals on the mega-hits “Keep on Lovin’ You,” “Roll With The Changes” and “Time For Me To Fly” (or was that just me who was singing way too loud?) There was a surprise in the set however…a gritty, blues version of “That Ain’t Love.” The band worked out the new arrangement just a few days ago and it definitely brought new life to an often overlooked song. 

Last, but definitely not least, was Styx.  A band that is just as much in their prime today as the original lineup was some thirty plus years ago.  Their dynamic and energetic live shows have attracted a new generation of fans who have become amazed to discover that their Mom & Dad actually listened to cool music back in the day.  

StyxAmid the classic songs “Blue Collar Man,” “Too Much Time On My Hands” and “Lady,” there were a few surprises including a rarely performed version of “Light Up.”  A song the band hadn’t played in Dallas since the ’70s. 

As Styx kicked off their encore with “Rockin’ The Paradise,” a blizzard of confetti fell down on the already energetic crowd, proving to everyone that this was much more than a concert…it was a celebration!  A celebration of music that has stood the test of time. A celebration of the cool kid that still rocks on inside of us. And lastly…a celebration of the wonderful musicians that have given our life inspiration and meaning throughout the years.  The Midwest Rock-N-Roll Express Tour isn’t just a concert…it’s classic rock at its finest. 

Styx

Have you been to a Midwest Rock-N-Roll Express Tour show? What did you think? Share your thoughts with The Classic Rock Blog!
Instagram
 

Jon Bon Jovi and Band Treat Fans to a Rock-n-Roll Extravaganza

 

Bon Jovi Dallas Concert“Buckle in…I’m driving.”

Those words from Jon Bon Jovi at the start of Thursday night’s concert at the American Airlines Center in Dallas sum up the evening to a T. With guitarist Richie Sambora sitting out this leg of the tour, Jon Bon Jovi eased into the driver’s seat and treated fans to a near three-hour rock-n-roll extravaganza that had the close to sell-out crowd singing and cheering louder and louder with each song. Even Dallas Cowboys Owner Jerry Jones was spotted in the crowd, although he mysteriously vanished before Jon Bon Jovi dedicated “Wanted Dead or Alive” to all the cowboys in the audience.

Bon Jovi’s show was a jukebox of hits (“Bad Medicine”), a time machine back to early days (“Runaway”) and for some in the crowd, a first listen to new material (“That’s What the Water Made Me”). Although only three songs were played from What About Now, the band’s latest release…and newest number one album, fans seemed eager to hear them. Bon Jovi is one of the few bands from the ’80s that can still engage fans from the early days with new material. No matter the song selection on this night, it seemed that Bon Jovi could do no wrong…except for maybe one song. On “Who Say’s You Can’t Go Home,” the audience totally missed their cue to start the song off with a sing-along. Jon Bon Jovi then asked if the crowd was still with him…you can guess their response. Despite the added burst of enthusiasm, it wasn’t quite enough to get the song firing on all cylinders…but, as the tune says, “It’s alright.”

What did excite fans was the “softer” part of the show, a three-song power ballad set filled with energy and emotion. After playing, “(You Want To) Make a Memory,” Bon Jovi launched into wonderful versions of “Bed of Roses” and “I’ll Be There For You.” It was so good…I could feel my mullet growing back!

Phil Xenidis (aka Phil X) did a commendable job filling in for Richie Sambora. Early in the tour it Bon Jovi in Dallaswas noted that Jon Bon Jovi didn’t really interact with or mention Phil until the end of the show…not this night! Phil received some well deserved kudos from the bandleader on a few occasions including when Jon Bon Jovi joked, “I know it’s a big gig, it’s a really big gig…but you are doing an excellent job!”

With the encore came the most anticipated song of the evening, “Livin’ on a Prayer.” Adding an element of surprise, Jon Bon Jovi kicked the song off with an acoustic guitar. A nice sentimental touch as this song cemented many of us as life-long Bon Jovi fans some misty years ago. As the band kicked-in and the crowd raised their cracked and worn voices to the heavens, it almost felt like a “Born to Run” moment…must be a Jersey thing.

Last night in Dallas Jon Bon Jovi took the driver’s seat…and thousands of us enjoyed a wild rock-n-roll ride that we won’t soon forget.

Bon Jovi Dallas Concert

Were you at the show? What did you think? Share your thoughts with The Classic Rock Blog!


Instagram

Can Slowhand do no wrong? Tell us what you think of Eric Clapton’s Old Sock…

Eric Clapton Old Sock

Bon Jovi  What About Now

*** [3/5]

 

Bon Jovi What About NowLet it be known that Bon Jovi is back! Not just with a new album, but arguably their best album in recent years!

What About Now, Bon Jovi’s 12th studio release, is packed with catchy choruses and infectious guitar hooks that are reminiscent of the band’s earlier albums. While their country-rock experiment may be over, Bon Jovi hasn’t gotten rid of their trademark blue-collar, us-against-the-world anthems, as evident with the album’s first single, “Because We Can”…

“I don’t wanna be another wave in the ocean, 
I am a rock not just another grain of sand. 
I wanna be the one you run to when you need a shoulder, 
I ain’t a soldier but I’m here to take a stand.”

Often criticized for being a bit soft in the lyric department (that’s putting it nicely), Jon Bon Jovi’s writing does fall short at times with overused clichés (there are quite a few sparks leading to fires on this album),  but he rebounds nicely with the songs “Amen” and “What’s Left of Me.”  The former is a power ballad that wonderfully captures the beauty and essence of a woman’s love…

“The honeysuckle on her lips,
sweeter than a man deserves to taste.
Mercy, mercy,
what else can I say but amen.”

On “What’s Left of Me,” a group of characters, including a former newspaper writer, a soldier and a punk rocker, reminisce about better times:

“They called us Dirty Harry,
we were a punk rock band.
Why they sold off CBGB’s, I don’t understand,
all that’s left now are the t-shirts and they come from Japan.”

Most blog reviews of What About Now have been lukewarm at best, but as Jon Bon Jovi sings in “Army of One”…

“I’ve got a voice. It’s all on me. I’m an army of one”

Well, so be it…I say What About Now is definitely worth a listen, especially for fans of Slippery When Wet and New Jersey.

How about you? What do you think of What About Now?  Share your thoughts with The Classic Rock Blog…and keep an eye out for our upcoming Bon Jovi concert review!


Eric Clapton and Band Give Timeless Performance at American Airlines Center

Eric Clapton’s concert at the American Airlines Center in Dallas last night was amazing. Nothing surprising about Eric Clapton Dallas Concertthat, right?  Well…the evening did get off to a bit of an unusual start.  To begin with, you could almost hear a pin drop as Clapton took the stage…I’ll just have to assume that everyone’s  jaws were dropped in awe of his presence. But then…another surprise…Clapton, backed by his nine-piece band, eased into the show on acoustic guitar. Surprising — but  brilliant! “Hello Old Friend” and “My Father’s Eyes” had sweet, mellow vibes that embraced the arena like a comforting hug between old friends.  Then…it was time to rock!

As Clapton reached for his electric guitar, the crowd erupted in a thunderous roar.  This was the moment they were waiting for and Clapton did not disappoint, leading fans on an exhilarating two-hour ride that covered all facets of his extraordinary career.  Just three songs into the set, following “Tell the Truth,” Clapton and his amazingly talented band received a standing ovation…it was a scene that was repeated song after song throughout the evening. 

After nearly bringing the roof down with red-hot versions of “Black Cat Bone” and “Got to Get Better,” Clapton Eric Clapton Dallas Concertgave the spotlight to former Squeeze keyboardist, Paul Carrack, for his presentation of “Tempted.”  Carrack would also play “How Long” and Joe Cocker’s “High Time We Went” later in the show.  But a backing band this good…deserves more than one or two spotlights.  Guitar extraordinaire  Doyle Bramhall II was given numerous opportunities to amaze the crowd — and Clapton — as was noticed with several smiles from the legend as the two traded solos throughout the evening.  Second keyboardist Chris Stainton and pedal-steel guitarist Greg Leisz also garnered much deserved recognition from the audience for their tight performances.

Midway through the show, Clapton and band pulled up some chairs for a mini-set of acoustic tunes that included “Tears in Heaven,” “Lay Down Sally,” “Wonderful Tonight” and unfortunately…”Layla.”  I was hoping to hear the song in all its electric glory, but what I heard was better than nothing (Clapton skipped the song entirely three nights ago in Houston). 

Before closing out the main set with “Cocaine,” Clapton paid homage to blues legend Robert Johnson with “Stones in My Passway,” “Love in Vain” and a searing “Crossroads” featuring Doyle Bramhall II.

Eric Clapton Dallas ConcertAs Clapton wrapped up the show with Cream’s “Sunshine of Your Love” and Cocker’s “High Time We Went,” it was evident that fans had just been treated to a timeless performance the likes of which they may never see again.  It was an evening that saw a fifty year career neatly and carefully packed into an exhilarating two-hour time capsule, providing memories that we should all put away for safe keeping…for this show was rock and roll at its finest. 

Instagram
 

What do you think of Eric Clapton’s new album, Old Sock? Click here to rate the album!

Recorded in complete secrecy, David Bowie’s The Next Day is now out for the world to enjoy! How do you like it? Help us rate the album!

David Bowie "The Next Day"

Michael Stanley  The Ride

*****[5/5]

 

Michael Stanley "The Ride"Before veteran rocker Michael Stanley released The Ride, his eighth album in ten years, he gave the heads-up that this would be a different sounding record. Sure enough, The Ride contains several pleasant surprises but all in all there is one thing that long time fans won’t be surprised to discover…that Stanley has once again created a gem of an album.

“Sometimes, just to try and clear your head, it helps to take a little ride,” Stanley writes in his album’s liner notes.  ”Sometimes you just have to take that unplanned turn down a different road; and that’s what this album has been for me.”

The different road Stanley alludes to is an R&B sound reminiscent of his favorite songs from the past. You can hear it on the opening track “Shiny Things.”  A groovy number that comes to life with the help of Jennifer Lee’s sassy (in a good way) backing vocals and red-hot guitar work by Danny Powers and Marc Lee Shannon. Fans have gotten a taste of this R&B influence a time or two in Stanley’s music over the years, but The Ride brings it center stage in several tracks…especially on “Anything Goes,” an all out blues rocker that is a standout track on the album: “So shut up and kiss me/And let’s get the show on the road/In the morning you can miss me, until then anything goes.”

The Ride isn’t entirely immersed in the blues however. There are a few pop style tracks from more familiar Stanley territory including Michael Stanley“Lucky Again” and “I Can’t Wait.”  And then there is, in my opinion, the best song on the album and quite possibly one of the best songs that Stanley has ever recorded…”To Love Somebody.”  Stanley’s cover of this Bee Gee’s classic is my hands down favorite.  What begins as a stripped down version of the song with just Michael and a guitar, builds into a dramatic piece with powerful backing vocals provided by Don Dixon, resulting in an instant classic cover of…well, a classic.  

At the end of the album’s liner notes Stanley writes, “…I hope you’ll just roll down the windows, turn it up, and enjoy the ride.”  Well, that’s something I have done for close to thirty years with Stanley’s music and thanks to these new songs… the ride won’t be stopping any time soon. 

The Ride is now available through Line Level Music

Instagram

Michael McDermott Crime SongsActually…if you do watch Michael McDermott’s live concert on Stageit this Sunday (March 3, 7pm Central) it will still be a crime (of sorts).  That’s because McDermott’s web performance will focus solely on crime songs…songs involving thievery, larceny, gambling, murder, mayhem, etc, etc.  You know…bad stuff that makes songs so good.

Just a hunch, but you may hear “Murder on Her Lips.”  A song about a run-in Michael had with a mobster’s girlfriend.  

You spoke to me of him and how you knew it’d be a sin.

But said, “The man deserves everything he gets.”

She had love in her eyes…and murder on her lips.

The song, along with other bits of McDermott’s life, inspired the Matt Damon movie, Rounders.  The screenplay was written by a couple of McDermott’s friends. Anyone else catch that they named Damon’s protagonist Mike McDermott? 

Michael McDermott’s Crime Songs concert is this Sunday (March 3) at 7pm central on Stageit.

REO Speedwagon Moondance Jam

The good news keeps on rollin’ in for REO Speedwagon fans. Before the band hits the road this spring with Styx and Ted Nugent for the Rock-N-Roll Express tour, their concert film, Live at Moondance Jam, will hit the airwaves. Recorded in 2010, the film features the usual REO hits along with classic gems “Like You Do” and “157 Riverside Avenue.”  Palladia will show the concert first on March 2nd and then VH1 Classic will give it a spin on March 22.  Sounds like a great way to get psyched up before the boys get— back on the road again! (Yep, lousy pun intended!)

Read our review of the band’s 2013 Grand Prairie, Texas concert!

Instagram